My hope is that this animated short inspires other CTA users to experiment with spring bones and storytelling. Spring bones and FFD change everything. I believe Mouse Bros merely scratches the surface. We pushed the limits of what’s possible with rigged characters, and Mouse Bros is only the beginning. However, we exchanged the sprites in the additional characters (the ones needed for the line art loop) manually.ĬTA5 Opens the Door to Professional-Grade AnimationĬTA5 enabled Studio Ghibletz to pioneer a new animation technique. We brought the characters into CTA5 from Photoshop to create the bone structure. We opted for the traditional CTA pipeline: Photoshop- CTA5- After Effects. Richard and Duncan: Cartoon Character Creation in CTA5 This is why our mice bear the names of two Shakespearean favorites: Richard and Duncan. We wanted to recreate the intensity of Scar and Mufasa. With Mouse Bros, however, we wanted to expand our horizons. For the dialogue, we drew inspiration from the Lion King.
Our stories are generally carried by dialogue. We’d never before engaged in visual storytelling. To build toward the climax, we created an intense race sequence. He writes, “Being a great voice actor means that you’re able to fully immerse into the role, bring life to a character, and put on a believable performance as them though to do so, it’s important to remember to research your character, practice your lines, and to be confident in your performance.” The character chooses the voice, and my body is but a vessel.” Phil, the voice of Duncan, shares a similar philosophy. As Peter, the voice of Richard, facetiously writes, “I look the character in the eye and he begins to whisper. We go to great lengths to perfect a character’s voice, and we have fun doing it. As Cody Marcotte writes, we always want to elicit an “emotional response, from happiness to sadness and everything in between.” And in Mouse Bros, we decided to go Shakespearean. To make the most of CTA5, you must tell a good story.
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